It could have been worse.
After the cinematic war crime that was Batman v. Superman, one might have expected Justice League to be a miserable movie filled with violent dude-bros and unseemly plot holes. Surprisingly, it wasn’t.
It could have been worse.
After the cinematic war crime that was Batman v. Superman, one might have expected Justice League to be a miserable movie filled with violent dude-bros and unseemly plot holes. Surprisingly, it wasn’t.
The big name at cinema box offices this week is Kenneth Branagh’s Murder on the Orient Express, a lavish adaptation of Agatha Christie’s novel of the same name.
The third time’s a charm. Following two inspired Thor movies, Thor: Ragnarok gets the god of thunder right. The film is a fast-paced, interplanetary romp that takes Thor out of his element.
Lost, hammerless and—at one glorious point—shirtless, the Avenger finds himself on a quest to save his homeworld, Asgard, from a seemingly unbeatable threat.
If you stop any student on the Ryerson campus and ask them how they’re doing financially, their response will probably range from “broke” to “really broke.”
It’s no secret that university students are short on cash. Tuition fees are hard enough to pay on time, but students in the Radio Television Arts (RTA) program face additional costs in order to finish their degrees.
George Clooney flexes his directorial muscles once again with Suburbicon, a thriller set in an idealistic 1950s community.
The film opens with a community’s less-than-happy discovery of a black family, the Mayers, moving in. From there, the movie takes off with a story that poses twists in nearly every scene.